For the presentation I got the following feedback:
It looks like it has been taken in
a nightclub and there maybe something I could do with this.
It was interesting in the way that I look immersed in the music and to research the following on 'immersion'
It was interesting in the way that I look immersed in the music and to research the following on 'immersion'
Walker Evans - Subway
Philip Lorca diCorcia – Heads
Bettina Von Zwehl – Portraits of people listening to music
Lucy Levene – Ministry for sound
William Eggleston – Black and white club portraits
If I am restaging things I have seen in clubs then I should look at Jeff
Wall's work and to see Bright and Cotton's books
To consider the notion of the social mask.
My work
acknowledges the slippage of the social mask which Sontag writes.
Music does have a way of 'affecting' us but how is this registered bodily?
Music does have a way of 'affecting' us but how is this registered bodily?
Research into theories of affect by looking at Affect Theory Reader.
Berger's notion of 'who is looking at who?'
Read Barthes (pg 10 Camera Lucida) notions of posing and being
looked at.
Peggy Phelan - performance
and photography.
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I found this feedback extremely useful and I liked the idea of immersion. I don't want my portraits to be awkwardly staring at the camera, or to do deadpan shots, but rather to have them being absorbed and immersed into the background like they would do in a nightclub or whilst listening to music.
I would like the photos to feel as though no-one was watching them.
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I found this feedback extremely useful and I liked the idea of immersion. I don't want my portraits to be awkwardly staring at the camera, or to do deadpan shots, but rather to have them being absorbed and immersed into the background like they would do in a nightclub or whilst listening to music.
I would like the photos to feel as though no-one was watching them.















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